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Is It Okay To Decorate With Van Gogh Prints

We're non talking here near the immersive floor-to-ceiling digital images of his famous paintings now on view throughout the world – including in Columbus – but a very special exhibition entitled "Through Vincent's Eyes: Van Gogh and His Sources." It's an showroom that will be shown in simply ii American museums and features original works by the famous artist who, afterward his suicide at historic period 37, became one of the most influential figures in Western art history.

On view are 140 magnificent works of art. In addition to 17 paintings, drawings and prints by van Gogh, at that place's artwork by many of the renowned 19th century contemporaries who influenced him: Paul Gauguin, Katsushika Hokusai, Honore Daumier, Edgar Degas, Eugene Delacroix, Utagawa Hiroshige, Édouard Manet, Jean-Francois Millet, Claude Monet, Camille Pissarro and Henri de Toulouse-Lautrec.

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Vincent van Gogh, Les Vessenots in Auvers, 1890. Oil on canvas, Museo Nacional Thyssen-Bornemisza, Madrid.

Vincent van Gogh, Les Vessenots in Auvers, 1890. Oil on canvas, Museo Nacional Thyssen-Bornemisza, Madrid.

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Vincent van Gogh, Les Vessenots in Auvers, 1890. Oil on canvas, Museo Nacional Thyssen-Bornemisza, Madrid.

The artwork comes from 40 museums and private drove loans throughout the world. Three Ohio sister institutions also lent art: The Cincinnati Art Museum, the Cleveland Museum of Art and the Toledo Museum of Art.

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There's an important local connection that helps explain why the CMA was fortunate enough to mount this very special exhibition. Gregory White Smith, who grew up in Columbus, co-authored "Van Gogh: The Life," with his husband, Steven Naifeh.

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Gregory White Smith and Steven Naifeh. ROBERT CLARK/CONTRIBUTED

Gregory White Smith and Steven Naifeh. ROBERT CLARK/CONTRIBUTED

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Gregory White Smith and Steven Naifeh. ROBERT CLARK/CONTRIBUTED

Naifeh and Smith won the Pulitzer Prize for their biography of Jackson Pollock. Sixty-one of the works from their personal drove are included in the Columbus show. Naifeh also authored "Van Gogh and the Artists He Loved." Smith, passed away in 2014.

"Greg Smith would exist every bit honored every bit I am to run across our collection class the footing of this extraordinary and insightful exhibition at the Columbus Museum of Art, his beloved hometown institution," said Naifeh when announcing the evidence that honors his late husband. "He and I e'er looked forward to seeing works we own, by artists van Gogh admired, hanging side by side with glorious works by van Gogh himself."

The show will be on view in Columbus through Feb. 6 and will then brand its way to the Santa Barbara Museum of Art in California. The two institutions partnered to produce the exhibit which was co-curated in Columbus by Naifeh and Columbus Museum of Art Principal Curator Emeritus David Stark.

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Nannette Maciejunes, executive director and CEO of the Columbus Museum of Fine art, says the show has been "wonderfully popular." Patrons are coming back more than once and enjoying both the artists they recognize and those they are discovering for the showtime time.

She's patently proud of the fact that two mid-sized museums take worked together on a show of this magnitude. "Doing a van Gogh show like this is a heavy lift," says Maciejunes.

Touring the exhibit

If you're wondering how we know and then much about the artists who impacted van Gogh, information technology'south thanks to the more than than two,000 letters he wrote –mainly to his brother, Theo. Excerpts from many of the letters are incorporated into the labels in the galleries and explain a lot about van Gogh'due south way of thinking, the art he wanted to brand and the artists he admired.

"We all love the piece of work of van Gogh merely the works illustrated here requite us the opportunity to dearest the art that VG himself loved," wrote Naifeh in the introduction to his book, "Van Gogh and the Artists He Loved."

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Paul Gauguin, Christmas Night (The Blessing of Oxen), 1902-3. Oil on canvas, Indianapolis Museum of Art at Newfields.

Paul Gauguin, Christmas Night (The Blessing of Oxen), 1902-3. Oil on canvas, Indianapolis Museum of Art at Newfields.

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Paul Gauguin, Christmas Dark (The Approving of Oxen), 1902-3. Oil on canvas, Indianapolis Museum of Fine art at Newfields.

You tin can't miss the original fine art by van Gogh; you'll spot it the minute you enter each of the rooms in the exhibit considering the wall backside each of the original pieces is painted with a blue stripe. Blue was ane of van Gogh'southward favorite colors and information technology's a dramatic mode to gear up off the exhibit'south main attractions. Surrounding the original van Gogh work y'all'll see the works of fine art and artists that inspired him.

"Not everything looks exactly like what you'd remember of van Gogh," Maciejunes says. "His career just lasted 10 years but we have incredible fine art from his early work with its wonderful globe tones; the Impressionist move years when he's in Paris, and the final months of his life which is the period most people associate with his work– expressive canvases with bright sea color."

"Vincent's Eyes," she says, offers a fascinating glimpse into the creative process and how an extraordinary painter similar van Gogh would take been observing and absorbing the cultural milieu around him."

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Here's a perfect example: In his 1888 painting "Tarascon Stagecoach," van Gogh pictures stagecoaches parked in the southern French town of Tarascon. The painting was inspired by an Alphonse Daudet novel, by Claude Monet's bright hues and by Adolphe Monticelli'south heavily textured brushwork. The painting was function of a suite meant to decorate van Gogh'due south residence in Arles, French republic – the so-called Yellow House – in honour of the inflow of creative person Paul Gauguin.

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Vincent van Gogh, Roses, 1890. Oil on canvas, National Gallery of Art, Washington, D.C., gift of Pamela Harriman in memory of Westward. Averell Harriman.

Credit: paradigm courtesy National Gallery of Art

Vincent van Gogh, Roses, 1890. Oil on canvas, National Gallery of Art, Washington, D.C., gift of Pamela Harriman in memory of W. Averell Harriman.

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Vincent van Gogh, Roses, 1890. Oil on canvas, National Gallery of Art, Washington, D.C., gift of Pamela Harriman in retentivity of W. Averell Harriman.

Credit: image courtesy National Gallery of Art

Credit: image courtesy National Gallery of Art

The similarities and divergences between diverse artists' approaches are explored through works such as Édouard Manet's "Peonies" which in many ways resembles "Roses," a still life past van Gogh. "Roses" is painted with such thick layers of paint that, according to one of the artist'south messages, it took an unabridged month for the pigment to dry. Manet's work is the highlight of a section of the exhibition that includes flower paintings by Henri Fantin-Latour and Adolphe Monticelli, in addition to van Gogh's "Vase with Poppies."

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Edouard Manet, "Peonies," 1864-65. Oil on sheet, The Metropolitan Museum of Art, Bequest of Joan Whitney Payson, 1975. CONTRIBUTED

Edouard Manet, "Peonies," 1864-65. Oil on canvas, The Metropolitan Museum of Art, Bequest of Joan Whitney Payson, 1975. CONTRIBUTED

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Edouard Manet, "Peonies," 1864-65. Oil on canvas, The Metropolitan Museum of Fine art, Bequest of Joan Whitney Payson, 1975. CONTRIBUTED

People may likewise exist surprised to run across Japanese woodblock prints in the show. "Van Gogh loved Japanese prints and was influenced by the flat patterning," says Maciejunes. "Information technology'south fun to discover both visual and literary sources. He was a voracious reader and so the showroom includes a lot of first edition books." Yous'll come across early editions of novels past Charles Dickens, Guy de Maupassant, Honoré de Balzac, Alexandre Dumas and Victor Hugo.

"This is an exhibition that helps make the creative person's imagination more tangible for u.s.," said Stark. "Van Gogh was a figure in art history known for the complicated, often troubled, path of his creative process. Nosotros gain access to another dimension of his art and life in this exhibition, some other glimpse into what his globe was similar."

HOW TO Become:

What: "Through Vincent'due south Eyes: Van Gogh and His Sources"

Where: Columbus Museum of Art, 480 E Broad St., Columbus

When: Hours are 10 a.chiliad. to 5 p.m. Tuesday through Sunday and ten a.m. to 9 p.m. on Thursday. Through Feb. 6. The show will be at the Museum of Fine art in Santa Barbara, California, Feb. 27-May 22.

Tickets: Admission to CMA Tuesday through Dominicus is $18 for adults, $9 for seniors (60+), students (18+) and children (4–17), free for members and children 3 and nether. Special exhibition admission to Through Vincent'due south Eyes is an additional $10. Admission is discounted on Thursdays – general access is $v on Thursdays from 5 to ix p.m., and entrance to the special exhibition on Thursday evenings is $five. General admission is gratis for all on Sundays. General admission for Dayton Fine art Plant members is free; DAI members will pay the $10 fee for the van Gogh exhibition. Parking is $v.

Publications

If y'all desire to learn more about van Gogh, consider these three excellent books, all available in the Columbus Museum of Fine art Gift Shop:

"Van Gogh and the Artists He Loved" by New York Times-bestselling writer, Pulitzer Prize winner, and exhibition invitee curator Steven Naifeh, published by Random House. The book includes nigh 300 full-color reproductions and an afterword by Ann Dumas, Columbus Museum of Art'due south offshoot curator of European Fine art and a curator of the Imperial Academy of Art in London. ($xl)

"Through Vincent's Optics: Van Gogh and His Sources," a 320-folio lavishly illustrated exhibition catalogue designed and produced past Lucia|Marquand Books, Seattle, and distributed by Yale Academy Press. ($60)

"Van Gogh: The Life," written past Steven Naifeh, co-curator of the Columbus showroom and his husband, Gregory White Smith, who grew upwardly in Columbus. Published past Random House. ($28).

Related programs:

A number of programs are beingness presented in connection with this showroom and some can exist accessed gratis online. They include "Van Gogh in the Movies" with film historian Susan Doll (Jan 6); Classic Art Book Club discussing "The Concluding van Gogh" by Alyson Richman (Jan. xiii, $v for not-members) and a lecture by Ohio State professor Andrew Shelton (January. 15).

At that place'southward also a one-human activity play, "Vincent," beingness presented live by the Cerise Herring Theater and a film screening of "Vincent van Gogh: A New Way of Seeing" on February 7, in person only. Visit columbusmuseum.org and click on Events & Programs for more information about the a full schedule of upcoming programs.

Source: https://artistfederation.com/van-gogh-exhibit-shows-influence-of-other-artists/

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